Gilles Dubuc

Nightglow

The night side of a distant world, generated live by code.

Gilles Dubuc, 2026. A real-time generative artwork.

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What you are looking at is the night side of a planet, generated live, by code. The planets of other stars are so far away that, even to our largest instruments, each one is a single point of light. Here, one of them comes close.

Everything you see is generated live, by code. A simulation of the planet’s atmosphere runs inside the work, and each frame is computed from it as you watch.

The planet

Imagine a young giant planet, many times the mass of Jupiter, still warm from its birth. Its only light is its own: it glows faintly with the heat of its birth.

Above its hot interior floats a thin layer of gas, where its weather happens. The work simulates that layer at half a million points, across a wide band of latitudes, with the physics that astronomers use for the weather of brown dwarfs and giant planets. The planet turns, and its turning bends every wind into currents and eddies.

The whole simulated band, live: the cloud dim, the storms bright. The dashed outline is what the satellite sees.

The storms

Heat rises from deep inside, the way it rises in a pot of water before it boils, and it breaks through as storms.

A storm beats in bursts, the way thunderstorms on Earth and on Jupiter build, collapse and build again. Every burst lifts the layer above it and lets it fall back.

The storms around the view, from above, live. Each ring is a storm, and it swells as a burst lifts the layer.

The waves

When the layer falls back, it swings, like the surface of a pond after a stone, and a ring of waves spreads from every burst.

These are gravity waves, waves of buoyancy in the air, and our own atmosphere is full of them. Here they meet, cross, and bend in the winds of the planet.

Where the waves squeeze the layer, live, from above. Each ring spreads from a burst, faster than any wind.

The glow

High above the clouds, the thin air glows very faintly, even at night. Satellites see this nightglow on Earth, and over thunderstorms they see it ripple, in rings.

Where a wave squeezes the air, the glow grows brighter. On Earth the glow lies in layers, one above another, and here there are three. A wave reaches each of them in turn, so the light climbs as it spreads.

The three glowing layers above one storm, from the side, live: the same rings reach each layer later, higher. Heights exaggerated.

Lightning

In the heart of a burst, lightning flashes now and then. For an instant it lights the cloud from within.

Then the cloud is dark again, and a new ring leaves the storm. Watch the centre of a fresh ring: that is where the storm has just beaten.

The grains of light

The picture is made of grains of light, about half a million of them, the way a camera made for the dark catches light a few particles at a time.

The grains are carried by the wind, and they are born where the light is, so they gather on the rings. Each one leaves its exact share of light in four pixels. Together, they are the image.

A small part of the picture, enlarged six times, live. Each point is a grain.

The satellite

We watch from a satellite in orbit, looking down at a slant toward the horizon. The planet curves away beneath us.

The lens keeps the middle sharp, and softens the edges and the corners, as real lenses do. As the satellite drifts, the layers of light slide past one another, and the depth appears.

The satellite and its view, from the side, live: the rays of the frame, its sharp middle, and the three glowing layers above the cloud. Heights exaggerated.

The weather

The turning of the planet shapes everything. It gathers the winds into bands that blow east and west, and it spins the storms into vortices.

How fast the planet turns, and how quickly its winds fade, decide what kind of weather it has: fine and restless, or wide and swirling. These are the rules that astronomers use to understand the weather of giant planets and brown dwarfs.

The spin of the air over the whole band, live (warm: turning with the planet; blue: against it), and the wind along each latitude, averaged around the planet: its jets.

Variations

A few choices set each presentation of the work: the seed of its planet, the palette of its light, the pace of its time, how high the satellite flies, how often storms rise and how large they grow, how fast the planet turns, how calm its weather is, and the flaws of the lens. Inside those limits, the weather is the planet’s own.

Weather, far away

The weather of other worlds lies far beyond our sight, so we imagine it with the physics we know.

Nightglow shows one such night: storms beating in the dark, and the sky answering with rings of light. It is weather, far away, glowing in the dark.

The film

Nightglow, the film. 2026. 7 minutes, colour, sound. Narrated in English, with subtitles.

A companion to the work, narrated over the work itself. The film follows the weather from the storms to the glow, and shows each step in diagrams computed from the simulation as it runs.

Nightglow

Gilles Dubuc, 2026
Real-time generative artwork
Infinite duration

How it is made

A one-and-a-half-layer shallow-water model of a young giant planet’s weather layer, 1024 by 512 points, runs on four CPU cores, forced by convective storms. Half a million grains carried by its wind on the GPU glow where gravity waves squeeze three airglow layers, at 60 frames per second.

Contact

Texts, images, videos and the film are in the press kit. For enquiries: gilles@dubuc.fr or +33 6 30 92 49 03.

Watch the film